It was in the second half of the 1600s that Marquis Auguste Coriolan de Lagardiére (or Augustus Coriolanus, Marquis de Lagardiére), together with a company of about 30-40 men, stopped in a fairly unremarkable spot on the staked plains region of what would later be known as the southwestern United States. Tired and dusty after a fairly long haul, they made a fire, drank some wine, ate some dried meat, and went to sleep – and woke up the next day to the realization of the fact that they were being surveyed, from afar, by a small group of natives (Indians) - who left soon thereafter. They had rested along the banks (if one could call them that) of the mostly dried-out Blackwater river (although they did not call it by that name; in fact, for them it did not have a name, nor did they think that it deserved a name, given its meager appearance). That day the Marquis, together with about half of his men, continued the journey, leaving behind 15-20 men, some of whom were sick or had minor injuries, and others with orders to set up a base to which the Marquis and his retinue could return, after having explored further down south. But the Marquis never returned, nor did the men who left with him; those left behind, however, befriending some of the natives (including some of those who had surveyed them during their first night there), were helped to discover a better place to camp, with more grass for grazing, with fresh water (which was scarce all around), and with better opportunities for hunting. This camp became a settlement that was first known by the full name of its “founder,” Auguste Coriolan Marquis de Lagardiére, but then, for some reason, only as Coriolanus / Coriolá – the latter version being used by the Spanish-speaking peasants who also settled there. But the core of the population, those who gave the town its identity and its name, were still the descendants of the Frenchmen from the Marquis’ original retinue. And these people continued to speak French (although they learned, of course, some of the local tongues, as well), and in fact the town used French in most of its official dealings, and in the local school, as well - because, as hard as that is to believe, they did not lose contact with the “homeland;” or, mostly, with the French colonial territories of North America (although even “Louisiana”, that large swath in the middle of the continent, running from north to south, on the left and right of the Mississippi river, which was at a certain point claimed and partially controlled by France, was quite far off). Nonetheless, they managed to stay in contact with “France,” and even to receive some material support (such as books printed in French) and some French people (some clergy, perhaps a teacher here and there, some women, and, of course, some adventure-loving Frenchmen). Thus, the French connection was never broken, nor was the town entirely forgotten by the people in France (or, at least at the royal court in Paris, where they were still listed in the books as a kind of French territory or claim). And all this will become very important later, during the time of the French Revolution.
What is important here, however, is that the two dominant
socio-cultural groups, the French and the Spaniards (to put it simply, because
the so-called “French” were only culturally that, since most of them had been
born from intermarriages with locals - and soon enough the same was true for the
descendants of the original “Spanish” soldiers) still defined themselves in
relation to their original European, aristocratic origins (and to their “founders”).
And, as it happens in such cases, what had been a natural, lived condition originally
(that is, being part of the retinue of a nobleman, and living in an aristocratic,
feudal society), became sublimated culturally, embellished, and transformed
into a gold-letter tradition that functioned more like an emblem of the given
group, than as a social reality. But perhaps it is exactly the fact that there existed two rival social and cultural factions, the “French” and the “Spaniards,” that contributed to the survival of these aristocratic identities, traditions, and cultural
frames of reference (as one’s identity is never stronger, and more ardently affirmed, than when it is challenged by a rival identity). And the ways in which these identities were affirmed and
maintained were manifold – from keeping alive the memory of the “founders” (for
example, by unveiling a portrait of the Marquis de Lagardiére in the house of a
prosperous French landowner; or by purchasing an icon for the local Catholic
church, which included a depiction of Barón Cardozo de Salazar, kneeling and
looking at the Virgin and Child, as a “donor”
- although it was in fact the current Spaniards who
had commissioned and paid for the painting, and who were thus the “donors”), to
other practices cultivating this "aristocratic" culture (or, what they felt as pertaining to, or expressing, such a culture). One of these practices was the
development among the “Spanish” population of a real cult of Miguel de
Cervantes - or, rather, of his hero, Don Quixote – as, ironically enough,
representing said aristocratic culture. A “Cervantes club” or parlor was thus
formed, which functioned somewhat like today’s cultural or heritage-keeping associations. Although there was no similar club on the French side, in the
local school the French language and culture were still being taught and propagated –
so perhaps that functioned as the equivalent of such a cultural association.
The next important moment in the history of the town was, as
mentioned, during the time of the French Revolution (1790s) – and here, the
fact that the ties with la patrie were never entirely broken played a
crucial role, namely at the point during those turbulent years when the court
and the aristocracy in France were in a febrile search for external allies, support,
and ways of escape. As is known, during the harshest and bloodiest persecutions many noble families – and not only –
escaped from France to aristocratic England; some of them, however, also went to North America – and it was a
descendant of the Marquis de Lagardiére who remembered at that point that
there existed in those savage North American lands a settlement that bore (or
used to bear) the name of his great-great-great-...grandfather; and thus he
took his household and moved, after an adventurous and dangerous trip that
lasted about eight months, to - what? –
Coriolá? Cardozo? or just Plano? This move – which represented a lifeline for the Marquis
and for his family – was also a boon for the local “French” people, who saw
their claims and aristocratic “identity” thus confirmed, reaffirmed, and – they
felt – definitively instated.
But another interesting – and crucial - development also
took place, as a consequence of the Marquis' arrival and settlement in this town. What is this
about? Well, we did not mention earlier the fact that the “original founder,” the Marquis
de Lagardiére, was actually a Huguenot, and that part of the determination that
fueled his bold ventures in North America (and the reason why he was accompanied by such a
large retinue) was that he himself was in the process of escaping
the anti-Huguenot policies and sentiment prevalent then in France. His later descendant,
however - Louis Marie de Lagardiére, who was in fact a descendant of the
original Marquis’ brother – was a fervent
Catholic, even more so as he was escaping a regime that persecuted with equal
viciousness royals, aristocrats, and the Catholic Church (clergy and believers).
His religious affiliation had become thus something assumed both personally,
culturally, socially and, why not, politically – and thus a defining
trait for him and for his family (who were, therefore, proudly French, aristocrats,
and Catholics). However, they had landed in a place where the division between
the “French” and the “Spanish” groups also represented the dividing line between Protestants (namely the French, who were Calvinists) and Catholics (the
Spaniards). So, although the Marquis, as a French aristocrat, was a boon for the local French population, he did not share their religion, but practiced the
religion of the other faction, of the Spaniards.
But this potential source of tension or conflict became,
surprisingly, a way of bridging the gap between the two distinct (and
long-separated) communities; suffice it to say that the first time that the
Marquis, his wife, their two daughters and their baby boy made their appearance
in the (mostly Spaniard-frequented) Catholic church, it caused quite an
upheaval – but also a kind of a pleasant surprise and relief for the Spanish. (By the way, I know that we are not saying much about the other local populations – the Spanish-speaking peasants,
or Mexicans, as they would soon call themselves; or those
of Native American origin; or the not-so-many English-speaking inhabitants; I know, but the
reason for that is that the socially, culturally and economically dominant - and relevant for the town's identity - communities were the two I mentioned.) During the six months preceding their appearance in church, the Marquis and his family have been having the local priest say mass at
their home; after a while, however, they decided that this could not go on any longer – the wife and the girls insisting that they missed going to church on
Sundays, and being able to attend daily mass. But, for all the
courageousness of the Marquis' initial gesture, how do we get from simply attending mass, to “building
bridges between the communities"?
Well, one must remember that in France at this time French history (and French identity) was being re-written and re-thought, with the intention of brushing over (or even erasing) the feudal and Catholic dimensions of that tradition. In response, those opposing these developments accentuated and emphasized exactly those elements of French history that reinforced these aspects; and among these was, of course, the figure of Charlemagne, the great French Catholic emperor – and of Clovis, the first Catholic king of the Franks. Meanwhile, as Spain’s influence was dwindling in North America (and also in Central and South America), and as the new independent state of Mexico was being formed (and will in fact soon form), the local “Spaniards” (i.e. those descended from, and affiliated culturally with, continental Spain) felt somewhat under siege and insecure about their future. This is then the context in which Marquis Louis Marie de Lagardiére‘s aristocratic and Catholic identity came as a boon – for both communities. Thus, although some of the Spanish protested, the Marquis was nevertheless invited, soon after his church visit, to the “Cervantes” parlor, to give a speech on “The State of Politics and of the Faith on the European Continent.” After the speech, although he did not alleviate everyone’s suspicions, a noticeable change of heart and of mood took place among the Spaniards, who now realized that they might have some new allies not only in the Marquis’ family, but also among the local “French” population - at least in what regards their shared aristocratic and ancien régime identity.
Well, one must remember that in France at this time French history (and French identity) was being re-written and re-thought, with the intention of brushing over (or even erasing) the feudal and Catholic dimensions of that tradition. In response, those opposing these developments accentuated and emphasized exactly those elements of French history that reinforced these aspects; and among these was, of course, the figure of Charlemagne, the great French Catholic emperor – and of Clovis, the first Catholic king of the Franks. Meanwhile, as Spain’s influence was dwindling in North America (and also in Central and South America), and as the new independent state of Mexico was being formed (and will in fact soon form), the local “Spaniards” (i.e. those descended from, and affiliated culturally with, continental Spain) felt somewhat under siege and insecure about their future. This is then the context in which Marquis Louis Marie de Lagardiére‘s aristocratic and Catholic identity came as a boon – for both communities. Thus, although some of the Spanish protested, the Marquis was nevertheless invited, soon after his church visit, to the “Cervantes” parlor, to give a speech on “The State of Politics and of the Faith on the European Continent.” After the speech, although he did not alleviate everyone’s suspicions, a noticeable change of heart and of mood took place among the Spaniards, who now realized that they might have some new allies not only in the Marquis’ family, but also among the local “French” population - at least in what regards their shared aristocratic and ancien régime identity.
Soon thereafter, at the Marquis’ initiative and under his
leadership a new parlor was established, named “Clovis”, which was open to
both communities (!), being designed to appeal both to the French
(Clovis being one of the major figures of French history, and representing a period long before the Reformation) and to the Spaniards (Clovis as a Catholic, ancien régime monarch). Furthermore, the Marquis arranged for some
of the meetings to take place in the refectory of the Catholic church, alternating with meetings and soirées held in the shade of the trees of the now-expanding orchard situated on the Marquis' property. Although not all “Spaniards” joined or attended the
new club, it was regularly and most pleasurably attended both by the French and
by the Spanish, and thus it enjoyed a great success. Overall, the Marquis soon became a most beloved figure both for the French (for whom he represented France, aristocracy,
the ancien régime, and their very founder) and for most of the Spaniards
(for the reasons explained above, and also because he reminded them of their
own ardently Catholic founder, Barón de Salazar).
In 1828 the Marquis died, aged 65, leaving behind six
children (three born in North America), a second wife (a Spanish Catholic woman! - the first wife, whom he had loved very much, dying eight years after their arrival, after a brief but severe illness), and a general population – “French”
and “Spanish” - for whom he had become a
guiding light and a pillar of the community. As mentioned, at this point the place
still bore several names - mostly referred to as Coriolá-Cardoso by outsiders and
neutrals – but now the grieving town decided to settle the matter, once
and for all, renaming it in honor of their beloved deceased Marquis. However,
since they could not name it (again) Lagardiére, and given that “Clovis” had
become the “meeting ground” for both groups, and a source of renewal for their (shared)
aristocratic and European identity - and also honoring in this manner the decisive impact that the Marquis had on the life of the town - they decided to rename the place
“Clovis” (thus affirming, once and for all, that this town’s identity was European,
aristocratic, and – broadly speaking – Christian).
Of course, many things happened in the two centuries that followed
after the town received its new name of “Clovis”. Among the more noteworthy
events that one could perhaps mention was the arrival of a small group of
French aristocrats (of a different kind, most of them being liberals and Freemasons) during
the 1830s-1840s, who were also the last “immigrants” from either France or Spain.
After that, other groups also settled, but in smaller numbers – mostly Mexicans and Anglos,
but also some Irishmen and Germans. Of course, as time passed, fewer and fewer
people spoke French or continental Spanish – so that by 1920 there were only
English-language schools in town (while the Mexican children learned their
language at home or at church).
But what is the situation today? Well, even today certain
things remain – one still has the Cervantes Club (for a short while called the Don
Quixote Club, but that did not really catch); although the Clovis parlor
stopped meeting soon after the death of the Marquis, the Clovis “spirit”, and
the name of the town, obviously survived; there is a small garden dedicated to
the Lagardiére family, where there are always fresh flowers; and, importantly,
other clubs and associations have formed, disbanded, and re-formed, over time, all
with the goal of maintaining and cultivating this European, aristocratic, and
(now very broadly) Christian identity (for example, one such association was, I
kid you not, the “Medieval Knights of Clovis”). One can notice, therefore, in
various places in Clovis, buildings constructed or adapted so as to reflect
this identity, and where clubs meet or events are held in keeping with these traditions (such as the short-lived Renaissance Festival) – even if, as said,
nobody speaks French anymore, and those who speak Spanish are in fact the local
Mexican-Americans.
However, these remain the defining traits of the place – and
that is quite something, given the fact that Clovis, NM is located in the heart
of the rural, agricultural region of the dusty staked plains (“llano estacado”)
of the Southwestern United States (not far from the border with Texas).
The seat of the Cervantes Club today; also a medieval-themed restaurant. |
This granary was used for the Renaissance (later Medieval) Festival (as a venue & for "capture the castle" competitions) |
This water tank is owned by the Lagardiére Water Co. (the name is painted on the opposite side, facing the railways) |
This was built (adapted) for a short-lived (re)incarnation of the "Clovis parlor"; now it serves as the meeting place for a French-affiliated Freemason club |
***
This, then, is the alternate history of Clovis, New Mexico.
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