7. Conclusions
And what have we learned? Well, essentially, that the state
of joy seems to be associated with a (true) expression of being. And we saw this in artistic
expression (or creation) – with the artist who, like a bird, can but
sing... And we saw this, in a similar, “natural” fashion, in the case of children at play – who are unruly, like “wild animals”, unless they are tamed and guided – but in whose play there is an inherent goodness, being the natural expression of their (pre-moral, or
on-the-way-to-becoming-moral) being.
But here we get into more troublesome territory, and closer to error – by which I mean all the misguided attempts at pursuing “joy” - that is, all that generally passes under the name of “pursuit of happiness”, yet is lived as a
pursuit of self-satisfaction, of self-enjoyment (in various guises). Yes, there
is a natural goodness to being. However, our human condition also
contains the choice - of the right
living out of being, or of the wrong living out thereof;
and the difference between these alternatives is that one of them is actually truthful to
the true order of our being – while the other one is not.
And the best example in this regard, and one that we discussed this past week, is marriage – understood as a re-enactment or, even
more so, as a living out of the original truth
of the human condition: “Man and woman he created them... in the image of God he created them...
[and] God looked ... and found it very good” (Gen 1:27, 31) Yes, one felt a
sense of peace, of serenity, of an act being in accordance with “how things should
be” (in our own, and in general existence) – when one looked at that statuary
group depicting the betrothal. There is, thus, a choice –
for us, moral animals – of living according to the truth of our being (and of
Being, itself) – or not.
And this choice is the choice of what is truer, better, greater
- over what is less so (or even the opposite). And we saw this choice
being lived out both in the example of marriage (as choosing one person means rejecting
all others, forever), and of the monks of La Grande Chartreuse
(or of the Trappist monastery of the Tibhirine). As these monks explained in
the film sequences included, theirs was a choice of a greater happiness, of a
greater love; greater, in the sense of truer and more complete.
The state of joy, then, is not some shallow, ir-responsible,
selfish seeking of enjoyment and pleasure, of “fun”. Instead it seems to be a
calmer, deeper state of being – in which our being is more truthful
to what it truly is, and to what it truly desires – and thus to the true order
of existence. And this can mean a living out of the natural self, as in
the case of the artist and of the child - pre-moral, as it were, but soon
enough needing to be guided by a moral choice: the artist needing discipline, and
to say no to self-seeking exhibitionism, in order to remain truthful to his vocation;
and the child needing to be guided and to be reined in, so that his
joy may be complete. And it can also mean a sacrificial pursuit of the true
order, of the truth of our selves - for example, as in marriage, or as in a life completely
consecrated to the Being that is the Source of our being.
Detail of the Transfiguration Mosaic from the Basilica of Sant'Apollinare in Classe (6th century) |
And we used the term “sacrificial”, and we discussed it – to immediately see
that this is, in fact, a voluntary, and most delightful and pleasurable sacrifice (although, yes, it
does include a “no” to certain impulses or parts of our selves, and it might include pain), because it
is done joyously, out of love (marriage), and drawn by love (monastic
vocation). Love... if ever there was a more misunderstood, misconstrued, oft-misused expression! And yet, in the case of this term, “love”, as well, the same distinction can easily help us:
between a self-seeking love (pleasure, enjoyment, satisfaction of oneself)
- and a self-giving love (of marriage; of monastic life; of unconditional
love).
And, indeed, we did talk about unconditional love, as well, as a sort of a basis or condition for joy – namely, for the expression and
manifestation of being. For example, as in the case of the watchful gaze and
continued care of the grandmother (unrecognized, anonymized), which allows for
the children to play. Or, on a grander – or deeper – scale, the unconditional
love of, as it is written, the “heavenly Father, [who] makes his sun rise
on the bad and the good, and causes rain to fall on the just and the unjust”
(Mt. 5:45) – the constitutive foundation of the being of us all.
What do I mean? Well, the fact that - just like with the
clueless children, or the fish in the pond – we simply find ourselves within
being, and with being; in other words, that our being is not something of our own
making, but is an unconditional, unmerited, free gift that we have received - and continue to receive.
Being, then, seems to be a fruit of an unconditional love in action; and
this is why the monks we cited talk about responding to a love
(because we are not the initiators of this relationship of being).
And this takes us to the Resurrection – and to the “amen”,
upon “amen”, upon “amen” of the Messiah chorus - which are the eternalized interjections expressing being, or life, finally and eternally victorious - that is, “being” without end.
In fact, the tremendous Easter Triduum (the three days, from the Last Supper, to the Resurrection) illustrates in a
concentrated fashion the essential drama of all that we have been trying to express:
the sacrifice that seems to be an inevitable corollary of choosing the good
(or the truth of our being; as in the marriage choice, as in the monks' choice – and
as in the cross of Good Friday), and the victory of Being, definitive,
complete, and unalterable (over its apparent opposite – death, non-being, the
diminishing of being, the corruption of being). This is how and why we associated
“joy” with “Resurrection” – or, in fact, with what comes after the
Resurrection. Because, if joy is the expression of being, then Resurrection (eternal
life) is the final, complete, and definitive victory of being – its full
manifestation. A state in which the members of the choir (which sings those “amens”) partake in the Being who is the very Source of our beings - in the unconditional Love
that made us and that keeps our being in existence. Like the child who is drawn to
the lap of the grandmother, so being tends toward the source of Being, which is Love.
Because being is - our self is - inherently dialogical,
social, open to the other; yes, this is another thing that we have discovered,
or that was confirmed, yet again, over this past week. And, since being is dialogical –
so is joy; and thus we noticed that every manifestation of the state of joy also entails a relationship with, or at least an openness
toward, an other (explicitly or implicitly, visibly or invisibly). This
is true for the artistic act – for the child watched over by the grandmother –
for marriage, essentially – and for the monks – and, of course, for
Resurrection. Because Resurrection (or, more precisely, what follows thereafter)
is a dialogical eternal life – a life with the Other (and with the others).
But let us conclude, here, this Easter Octave-occasioned,
modest attempt at an investigation into the state of joy - into its manifestations,
forms and expressions – and, finally, into its nature. We have listed all of our
conclusions - or, the gist of them – above.
What remains to be talked about, perhaps – in a very brief
postlude – is laughter. Yes, back to “laughter” – but, as explained, a specific kind or
state of laughter. Yes, laughter,
because I find it a most handy, accessible, universally available experience – or,
at least, sign - of that state of joy that is the expression of true being.
Again, we are referring here to a specific kind of laughter – which is
the simple, free (childlike), and exuberant expression of the joy of existence
itself - but also (implicitly) of the dignity and transcendence of the self, over and against the (sometimes) oppressive, burdensome, reductionist aspects of historical and material existence. A laughter that is the thumbing of one’s
nose at the self-seriousness of what are – ultimately – "unserious", passing things.
(And, for a manifestation of such laughter, see again the scene with the
Carthusian monks sliding down the snowy hillside, in the Alps, not far from La Grande Chartreuse.)
And you can even take this – this idea of laughter - with you as a bookmark, perhaps - to remind you (and us), from time to time, of that state of joy that we have been discussing - that is associated (or so it seems) with the living out of our being, in its plenitude, truth, and openness toward the other (the Other).
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