Tuesday, April 21, 2020

The Category of Joy (7)

After our Easter Octave investigation into the category of joy, which we endeavored without pretensions of exhaustiveness, or even of utter precision – and during which we looked at the state of joy as being associated with (artistic) creation, with (a type of, or a state of) laughter, with the act of marriage, with unconditional love and with sacrifice, and finally with Resurrection (or what follows after the Resurrection) – after this week-long series of discussions, then, perhaps it is time now to draw a line and to summarize what we have learned, proposing some...

7. Conclusions

And what have we learned? Well, essentially, that the state of joy seems to be associated with a (true) expression of being. And we saw this in artistic expression (or creation) – with the artist who, like a bird, can but sing... And we saw this, in a similar, “natural” fashion, in the case of children at play – who are unruly, like “wild animals”, unless they are tamed and guided – but in whose play there is an inherent goodness, being the natural expression of their (pre-moral, or on-the-way-to-becoming-moral) being.

But here we get into more troublesome territory, and closer to error – by which I mean all the misguided attempts at pursuing “joy” - that is, all that generally passes under the name of “pursuit of happiness”, yet is lived as a pursuit of self-satisfaction, of self-enjoyment (in various guises). Yes, there is a natural goodness to being. However, our human condition also contains the choice  - of the right living out of being, or of the wrong living out thereof; and the difference between these alternatives is that one of them is actually truthful to the true order of our being – while the other one is not.

And the best example in this regard, and one that we discussed this past week, is marriage – understood as a re-enactment or, even more so, as a living out of the original truth of the human condition: “Man and woman he created them... in the image of God he created them... [and] God looked ... and found it very good” (Gen 1:27, 31) Yes, one felt a sense of peace, of serenity, of an act being in accordance with “how things should be” (in our own, and in general existence) – when one looked at that statuary group depicting the betrothal. There is, thus, a choice – for us, moral animals – of living according to the truth of our being (and of Being, itself) – or not.

And this choice is the choice of what is truer, better, greater - over what is less so (or even the opposite). And we saw this choice being lived out both in the example of marriage (as choosing one person means rejecting all others, forever), and of the monks of La Grande Chartreuse (or of the Trappist monastery of the Tibhirine). As these monks explained in the film sequences included, theirs was a choice of a greater happiness, of a greater love; greater, in the sense of truer and more complete.

Detail of the Transfiguration Mosaic
from the Basilica of Sant'Apollinare in Classe (6th century) 
The state of joy, then, is not some shallow, ir-responsible, selfish seeking of enjoyment and pleasure, of “fun”. Instead it seems to be a calmer, deeper state of being – in which our being is more truthful to what it truly is, and to what it truly desires – and thus to the true order of existence. And this can mean a living out of the natural self, as in the case of the artist and of the child - pre-moral, as it were, but soon enough needing to be guided by a moral choice: the artist needing discipline, and to say no to self-seeking exhibitionism, in order to remain truthful to his vocation; and the child needing to be guided and to be reined in, so that his joy may be complete. And it can also mean a sacrificial pursuit of the true order, of the truth of our selves - for example, as in marriage, or as in a life completely consecrated to the Being that is the Source of our being.

And we used the term “sacrificial”, and we discussed it – to immediately see that this is, in fact, a voluntary, and most delightful and pleasurable sacrifice (although, yes, it does include a “no” to certain impulses or parts of our selves, and it might include pain), because it is done joyously, out of love (marriage), and drawn by love (monastic vocation). Love... if ever there was a more misunderstood, misconstrued, oft-misused expression! And yet, in the case of this term, “love”, as well, the same distinction can easily help us: between a self-seeking love (pleasure, enjoyment, satisfaction of oneself) - and a self-giving love (of marriage; of monastic life; of unconditional love).

And, indeed, we did talk about unconditional love, as well, as a sort of a basis or condition for joy – namely, for the expression and manifestation of being. For example, as in the case of the watchful gaze and continued care of the grandmother (unrecognized, anonymized), which allows for the children to play. Or, on a grander – or deeper – scale, the unconditional love of, as it is written, the “heavenly Father, [who] makes his sun rise on the bad and the good, and causes rain to fall on the just and the unjust” (Mt. 5:45) – the constitutive foundation of the being of us all.

What do I mean? Well, the fact that - just like with the clueless children, or the fish in the pond – we simply find ourselves within being, and with being; in other words, that our being is not something of our own making, but is an unconditional, unmerited, free gift that we have received - and continue to receive. Being, then, seems to be a fruit of an unconditional love in action; and this is why the monks we cited talk about responding to a love (because we are not the initiators of this relationship of being).

And this takes us to the Resurrection – and to the “amen”, upon “amen”, upon “amen” of the Messiah chorus - which are the eternalized interjections expressing being, or life, finally and eternally victorious - that is, “being” without end.

In fact, the tremendous Easter Triduum (the three days, from the Last Supper, to the Resurrection) illustrates in a concentrated fashion the essential drama of all that we have been trying to express: the sacrifice that seems to be an inevitable corollary of choosing the good (or the truth of our being; as in the marriage choice, as in the monks' choice – and as in the cross of Good Friday), and the victory of Being, definitive, complete, and unalterable (over its apparent opposite – death, non-being, the diminishing of being, the corruption of being). This is how and why we associated “joy” with “Resurrection” – or, in fact, with what comes after the Resurrection. Because, if joy is the expression of being, then Resurrection (eternal life) is the final, complete, and definitive victory of being – its full manifestation. A state in which the members of the choir (which sings those “amens”) partake in the Being who is the very Source of our beings - in the unconditional Love that made us and that keeps our being in existence. Like the child who is drawn to the lap of the grandmother, so being tends toward the source of Being, which is Love.

Because being is - our self is - inherently dialogical, social, open to the other; yes, this is another thing that we have discovered, or that was confirmed, yet again, over this past week. And, since being is dialogical – so is joy; and thus we noticed that every manifestation of the state of joy also entails a relationship with, or at least an openness toward, an other (explicitly or implicitly, visibly or invisibly). This is true for the artistic act – for the child watched over by the grandmother – for marriage, essentially – and for the monks – and, of course, for Resurrection. Because Resurrection (or, more precisely, what follows thereafter) is a dialogical eternal life – a life with the Other (and with the others).

But let us conclude, here, this Easter Octave-occasioned, modest attempt at an investigation into the state of joy - into its manifestations, forms and expressions – and, finally, into its nature. We have listed all of our conclusions - or, the gist of them – above.

What remains to be talked about, perhaps – in a very brief postlude – is laughter. Yes, back to “laughter” – but, as explained, a specific kind or state of laughter. Yes, laughter, because I find it a most handy, accessible, universally available experience – or, at least, sign - of that state of joy that is the expression of true being. Again, we are referring here to a specific kind of laughter – which is the simple, free (childlike), and exuberant expression of the joy of existence itself - but also (implicitly) of the dignity and transcendence of the self, over and against the (sometimes) oppressive, burdensome, reductionist aspects of historical and material existence. A laughter that is the thumbing of one’s nose at the self-seriousness of what are – ultimately – "unserious", passing things. (And, for a manifestation of such laughter, see again the scene with the Carthusian monks sliding down the snowy hillside, in the Alps, not far from La Grande Chartreuse.)


And you can even take this – this idea of laughter - with you as a bookmark, perhaps - to remind you (and us), from time to time, of that state of joy that we have been discussing - that is associated (or so it seems) with the living out of our being, in its plenitude, truth, and openness toward the other (the Other).


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